A FORTS PLANNING GUIDE

Backstage and Production Facilities for Live Events

FORTS can place enclosed talent rooms and production workspaces close to a stage, set or live-event venue. Plan greenrooms, preparation areas, offices and crew support around the production schedule and the routes people use through the site.

FORTS artist greenroom with sofas, armchairs, floor lamps and a hospitality table
An actual furnished artist greenroom from the Rolling Stones project collection. Furnishings are selected for each production.
01

Match each room to its users and call times.

02

Plan talent, crew and service access as part of the backstage layout.

03

Identify furniture, lighting and technical equipment before installation.

Build the Room List Around the Show

Start with the production’s working day: load-in, rehearsals, preparation, performance and load-out. List the rooms that need to operate at each stage and the teams that share them. A preparation room with appointments throughout the day has different needs from a crew lounge used between calls.

FORTS provides rigid, climate-controlled interiors that can be arranged for talent hospitality, changing, production work or staff support. Room relationships matter: a greenroom may need a direct route to the stage, while an office benefits from access for the people coordinating deliveries and schedules.

Translate the Production Brief Into Rooms

Use a room schedule to connect the production manager, talent liaison and facilities team. Identify furniture, equipment and privacy needs for each space before choosing the final arrangement.

Translate the Production Brief Into Rooms: planning details
RoomDefine in the brief
Artist greenroomSeating, hospitality, privacy and routes to the stage or set.
Dressing & wardrobeChanging positions, mirrors, hanging storage and staff access.
Hair & makeupWorkstations, lighting, equipment loads and preparation schedule.
Production office & crew spaceDesks, communications, meetings, break seating and supply storage.

Coordinate Access, Services and Timing

Place rooms within the venue’s access plan, considering artist arrivals, crew circulation, equipment movements and service deliveries. Review installation access, entrances and routes with the production team. Identify where venue restrooms, catering and other services sit in relation to the rooms.

Confirm power and data needs from the actual equipment list. Mirrors, preparation lighting, wardrobe fittings, audiovisual systems and any acoustic treatment are project requirements to discuss. A hard-walled room does not by itself establish broadcast sound performance or a recording specification.

Build the schedule around the first time each room is needed. Allow for furnishings, equipment connections and production checks after structural assembly, and coordinate removal with the venue’s load-out sequence.

Send a Brief the Whole Team Can Use

A preliminary backstage drawing, room list and schedule are enough to start planning. Share changes as riders and production requirements develop so the rental scope and the responsibilities of other suppliers stay aligned.

  • Venue, build and removal windows, rehearsal dates and show dates.
  • Rooms, users, call times, privacy and furniture requirements.
  • Equipment, power, connectivity and any specialist technical needs.
  • Talent, crew and service routes, plus the production contact for coordination.
YOUR NEXT STEP

Tell Us What Needs to Keep Moving.

Share your location, dates and the people or functions you need to accommodate.

Plan Your Backstage Facilities
PRACTICAL ANSWERS

Common Questions

Can FORTS be used as artist greenrooms and dressing rooms?

Yes. Those are established FORTS planning applications. The selected layout, furnishings, preparation equipment and privacy arrangements are defined around the production’s requirements and available inventory.

Can a production office be located alongside talent rooms?

Separate or compatible connected arrangements can be discussed within the available footprint. Plan access, noise-sensitive uses and working hours with the production team so each room serves its role.

Can the facilities follow a tour or recurring event schedule?

Discuss the complete itinerary, transport and venue access windows at the outset. A repeated room concept can be planned across stops, with availability, furnishings and any location-specific changes agreed in the rental scope.